Graphic Arts Workshop and Print Club of Rochester

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On view in the LAB space in conjunction with the Under Pressure show, a recent collaboration between Graphic Arts Workshop and the Print Club of Rochester presented a diverse group of prints in various techniques from the West and East Coast associations.

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Two of my favorite prints from the Graphic Arts Workshop happened also to be two of the smallest. Power MoirĂ© by Anthony Ryan (above left) and Three of Spades by Mariko Jesse (above right) were both tiny prints floating in a clean expanse of paper frame. Ryan’s work pulls the viewer close and in, while Jesse’s card-like plate had a milkiness to it that made me want to pick it up off the paper.

From the Print Club of Rochester, I was drawn to two pieces for their chromatic cleanliness. Treasure Sun Set by Carol Aquilano is a color reduction woodcut at its boldest, with all the transparency and sticky-edged carving marks of relief as expressive medium, while Katherine Baca-Bielinis’s Philadelphia Charm gives an impressionistic glimpse of a column, an archway and the beginning of an ornate ceiling. It’s as if we are watching these forms develop and vanish as they pass in and out of view – that the viewer might even be necessary to their existence.

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Finally, a conceptual piece from Adam Werth, president of the Print Club of Rochester. The materials description on the information panel reads: non-variable data, inkjet, collage. It’s a bit of a troll piece as well since the portfolio format dictates that it must stay on top of the print stack for the creases not to flatten or warp the other prints. I currently have this work in my studio – a good reminder on several levels. The title: đŸ˜‰.

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What: Graphic Arts Workshop and Print Club of Rochester Trade Portfolio
Where: Rochester Contemporary, Rochester NY
When: September 2 – 25, 2016
Ambiance: the unbound bounty of bi-coastal brotherhoods