In August, I began a series of oils on drypoint with the personal goal of never wasting paint. The palette is an ongoing recombination of leftover colors from previous paintings—so many ways to mix grays. New paint comes in for light and saturated spots. It feels like the linseed version of a sourdough culture.
Please join us in Austin, Texas for the opening of Elliptical Thinking. All new work from the past two years, the show includes eight large scale color wheel compositions, several diptych Conversations, and prints from the Fascinators series of allegorical portraits. To read more about the work and the thinking behind each piece, the interior of the show catalog can be downloaded in pdf format here. Wally, Rachel, and I look forward to seeing you in the gallery!
From the end of May to the beginning of June, I enjoyed working at Northern Print in Newcastle upon Tyne. The studio, with a full suite of printmaking facilities awards a residency prize at each Biennale. I was fulfilling 2014’s prize and was lucky to overlap with 2016’s awardee Lisa Andrén. Above, testing three copper plates at 100% black for the newest edition. Below, the ferric chloride corner:
The 11th Biennale de Gravure opens this Friday at La Boverie in Liège, Belgium. The theme of the exhibition cycle is “Dérive(s)” or “Drift(s),” which references the “Dérivation” canal that meets the Meuse river to form the peninsula on which the museum is located. While researching the concept/translation, I was seduced by an extension of the word put forth by Guy Debord describing “a technique of rapid passage through varied ambiances” in which you allow yourself to “drift” (usually through an urban landscape) without a planned destination. It is a way of discovering the world often used while traveling, moving to a new place, or following toddlers all of which I have enjoyed doing in the past two years.
While this research impacted choices for color wheels I was painting late summer of last year (particularly Carolina Color Wheels: Drift), the prints in this show are several portraits from the Fascinators series (2016) as well as selections from Lonely Hearts (2014) – both of which take on “drift” from a more psychological angle.