New color wheel compositions are growing in scale while their component parts are shrinking. I’m excited about the change in both directions.
Please join us in Austin, Texas for the opening of Elliptical Thinking. All new work from the past two years, the show includes eight large scale color wheel compositions, several diptych Conversations, and prints from the Fascinators series of allegorical portraits. To read more about the work and the thinking behind each piece, the interior of the show catalog can be downloaded in pdf format here. Wally, Rachel, and I look forward to seeing you in the gallery!
What: Elliptical Thinking (Part II)
Where: Wally Workman Gallery, Austin, TX
When: October 7-28, Artist Talk: Oct 5th @ 6pm, Opening: Oct 7 @ 6pm
Ambiance: 179 panels and all the spaces between them
From the end of May to the beginning of June, I enjoyed working at Northern Print in Newcastle upon Tyne. The studio, with a full suite of printmaking facilities awards a residency prize at each Biennale. I was fulfilling 2014’s prize and was lucky to overlap with 2016’s awardee Lisa Andrén. Above, testing three copper plates at 100% black for the newest edition. Below, the ferric chloride corner:
Powdered pigment for ink mixing:
Aquatinted plates, clean and ready:
A caged proof:
Finding the time:
Fascinators from the first quarter of 2017
The 11th Biennale de Gravure opens this Friday at La Boverie in Liège, Belgium. The theme of the exhibition cycle is “Dérive(s)” or “Drift(s),” which references the “Dérivation” canal that meets the Meuse river to form the peninsula on which the museum is located. While researching the concept/translation, I was seduced by an extension of the word put forth by Guy Debord describing “a technique of rapid passage through varied ambiances” in which you allow yourself to “drift” (usually through an urban landscape) without a planned destination. It is a way of discovering the world often used while traveling, moving to a new place, or following toddlers all of which I have enjoyed doing in the past two years.
While this research impacted choices for color wheels I was painting late summer of last year (particularly Carolina Color Wheels: Drift), the prints in this show are several portraits from the Fascinators series (2016) as well as selections from Lonely Hearts (2014) – both of which take on “drift” from a more psychological angle.
Here is a complete list of my fellow printmakers whose work will be on view during the biennial. The opening and ceremony will take place Friday March 17th at 7pm.
What: 11e Biennale de Gravure: Dérive(s)
Where: La Boverie, Liège, Belgium
When: March 17 – May 14, 2017
Ambiance: This building makes me want to check a coat and open a journal.
Elliptical Thinking opened this Saturday at Rockport Center for the Arts with an artist talk, opening reception, and the official beginning of a six week residency. Taylor Hendrix, director of visual arts, led the question/answer style talk beginning with a poem by Wendell Berry:
Traveling at Home.
Even in a country you know by heart
it’s hard to go the same way twice.
The life of the going changes.
The chances change and make a new way.
Any tree or stone or bird
can be the bud of a new direction. The
natural correction is to make intent
of accident. To get back before dark
is the art of going.
We used the poem to inspire thoughts about repetitive practices and making room for chance in the art process. On view are several new color wheel sets created this year in North Carolina and the “sketchbucket” models suspended in a cascade near the opening of the garden gallery. I will be demonstrating the printing process for the next few weeks here on the Art Center’s press, a custom model donated by the well-known Rockport native artist Al Barnes.
What: Elliptical Thinking – residency and exhibition
Where: Rockport Center for the Arts, Rockport, Texas
When: October 15 – November 19, 2016
Ambiance: coastal accumulation of consideration and repetition